CD Title:
The Rising Tied
Record Label:
Warner Bros / Wea
By Adam Bowman
Let's
not mince words, this album is exactly what anybody who has listened to
Linkin Park would expect it to be. The debut of Fort Minor is Linkin
Park sans guitars and Chester Bennington, and the end results are hit
and miss. When "The Rising Tied" hits, though, it nails a bullseye.
"Remember The Name" is the perfect track to kick the schtick off with a
pinpoint perfect chorus and a beat that has just enough swagger to let
you know it's badass without coming off like Vanilla Ice circa '89.
Other choice cuts come in the form of the historical "Kenji" (where
Shinoda brilliantly raps the history of his ancestry, tying in very
stark imagery of Japanese-American life during World War II), "Right
Now", and second single "Where'd You Go", where Holly Brook shines as a
sweet siren of song to Shinoda's salmagundi of both sensitivity and
stoicism.
While the play does
outweigh the skip, you're going to pass over a few moments. The
beginning to "Red and Black" seems too much like one of Shinoda's
Linkin Park mechanics, as he jumps in roughly half a beat prior to the
beginning of the verse. The technique is good for hip-hop, but the
words and flow he has here just doesn't lend itself well to that trick.
Fortunately, that is one of the few times Shinoda's MC abilities are
taken into question, as he utilizes cameos from Styles of Beyond and
John Legend to help things from getting tedious. Another gripe is the
boistrous nature of the record. There's just not enough of it, and
elements of it ("Cigarettes" and "High Road" being prime examples) seem
a bit forced. To be fair, tracks like "Petrified" and "Slip Out The
Back" (featuring DJ Hahn) join up with the aforementioned "Name" to let
us know Shinoda and company can back up the attitude. It is every bit
what you would expect, but that's not necessarily a bad thing.
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